ArtMistakes

Svi su pravili neke svoje liste, te knjiga, te muzike, te super intimnih događaja koji su obeležili svačiji život ponaosob u ovoj, još malo pa prethodnoj godini. Preskočiću tu vrstu liste, jer je nemoguće sastaviti iz jednog prostog razloga što svoju intimu ne klasifikujem.
To su ipak nemerljive kategorije.

Ali evo jedan art/dizajnerski random, onog što je meni bilo sjajno u 2007. godini.
Pošto ne verujem da će sve stati u jedan post, biće ih nekoliko.

Najbolja korica za knjigu.
Unmarketable designed by Rob Carmichael.

Kreativne intervencije na svetski poznatim brandovima by Zevs.

Uzbudljivi komad nameštaja.
Ovaj divni lelujavi ormar bi mogao jednog dana da krasi moj svet.
Idealan za ono što ja osećam prema ormarima :)
Designed by Maarten Baas.

Hm. Lampa.
Wau! Dahlia light by Janne Kyttanen.

U Majamiju proglašen za dizajnera godine.
Tokujin Yoshioka. Oduševljena sam. Toliko da sam bar jednom nedeljno na njegovom sajtu.
Retko na čijoj mailing listi. Al tu jesam.

Fotografija je mnogo uplivavala ove godine. I biće je više.
Jedan od važnih je Bill Durgin.

nastavićemo se….
PS. Ako Vas ove stvari oplemene bar upola koliko mene, moja misija je ispunjena :)

Radi se

jebote!

Novi dokumentarni film.
Još ga nisam pogledala.
Al nameravam.
Može se naći kojekuda online.
Pušten je 20. novembra.

Za zaljubljenike slova, reči, typa, komunikacije…a i znatiželjne.
About the Film

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

Helvetica encompasses the worlds of design, advertising, psychology, and communication, and invites us to take a second look at the thousands of words we see every day.

The film was shot in high-definition on location in the United States, England, the Netherlands, Germany, Switzerland, France and Belgium. It is currently screening at film festivals and special events worldwide.

Interviewees in Helvetica include some of the most illustrious and innovative names in the design world, including Erik Spiekermann, Matthew Carter, Massimo Vignelli, Wim Crouwel, Hermann Zapf, Neville Brody, Stefan Sagmeister, Michael Bierut, David Carson, Paula Scher, Jonathan Hoefler, Tobias Frere-Jones, Experimental Jetset, Michael C. Place, Norm, Alfred Hoffmann, Mike Parker, Bruno Steinert, Otmar Hoefer, Leslie Savan, Rick Poynor, Lars Müller, and many more.
About the Typeface

Helvetica was developed by Max Miedinger with Eduard Hoffmann in 1957 for the Haas Type Foundry in Münchenstein, Switzerland. In the late 1950s, the European design world saw a revival of older sans-serif typefaces such as the German face Akzidenz Grotesk. Haas’ director Hoffmann commissioned Miedinger, a former employee and freelance designer, to draw an updated sans-serif typeface to add to their line. The result was called Neue Haas Grotesk, but its name was later changed to Helvetica, derived from Helvetia, the Latin name for Switzerland, when Haas’ German parent companies Stempel and Linotype began marketing the font internationally in 1961.